The tongue twistingly titled Rastrophiliopustrocity Pomposity is the brand new album from indie singer songwriter and master of wry observational humour, Ian Passey aka The Humdrum Express. This is the eighth album by The Humdrum Express and yet again Ian delivers the usual blend of pop culture references and withering social critique that have led to him becoming a favourite of 6 Music. That said on his latest offering Mr Humdrum has decided to mix it up a bit musically and on some of the tracks do something a bit different.
The album kicks off with the new wave inspired ode to everyone’s favourite low-cost salt and vinegar flavoured potato snack, Chip Sticks. Entwined around these savoury delights is a tale of not coping with the mundaneness of supermarket music. Recorded with the full band and additional keys. It really is the perfect way to open the album. This is followed by former single Turkey Teeth, an up-tempo number that
takes a sardonic look at the trend for flying to Turkey for cheap implants and whitening treatments.
Scathing Sourpuss is the token whimsical track on the album. With its old-time music hall feel and cockney knees up piano, it’s the ideal accompaniment for Mr Humdrum’s poke at curmudgeonly celebrity talent show judges. Picking the tempo back up is Secret Troll. A catchy power pop number replete with 60’s style harmonies on the chorus. This is followed by the latest single Masterpiece. Musically this is a complete curveball. With its Cello and multiple backing vocals it is reminiscent of mid 90’s era The Divine Comedy. Lyrically this is up there with Ian’s finest work. It’s an emotive look at the struggles and frustrations faced by the modern grass roots musician. It quite possibly is his masterpiece. Rounding off side one of the album is Tennis Elbow, a dour look at the joys of growing older and the tribulations that life throws at you as you do.
Side two kicks off with an absolute belter of a song, He Loves the Classics. It’s catchy punked up power pop is the perfect vehicle for a scathing poke at those folk who live as if it’s still the Brit Pop era and worship at the altar of the Gallaghers and co. It almost makes you want to go and watch re-runs of Euro and get a Weller haircut. The Second Hottest Day is a fun song regarding the strange things that can happen when the great British weather goes hot. Letter in the Post is a nod to Ian’s solo shows and humorous made-up letters he will read out at said gigs. Its witty spoken lyrics are delivered in a style that is reminiscent of one of Nigel Blackwell’s musings. Captain Codpiece is a silly little ditty about impulse online purchases. Following this daftness is the absolute marvel that is Abdul Qadir, a tribute to the legendary Pakistan leg spin bowler. The cricket-themed lyrics work perfectly with the catchy tuneage.
Rounding of the album is Decision Overturned. Yet another delve into different musical territory, it has a late 70’s/early 80’s synth pop feel and surprisingly it works, providing the perfect vehicle for Ian Passey’s social commentaries.
Overall, it can be said that Rastrophiliopustrocity Pomposity is up there with The Humdrum Expresses best work. Personally, I think the melting pot of styles on this album make it feel fresh and interesting. The musicianship & production on the album are superb and Ian’s lyrical talents are as spot on as ever. It’s well worth a purchase.
By: Jason K