Wall Of Sound – Live Electronic and Shoegaze Music at St Swithuns Worcester
Mickey Nomimono + Oud
St Swithuns Church, Worcestershire, WR1 2RH
Saturday 8th November 2025
Advance Tickets available online
Worcester’s historic St Swithun’s Church will tremble under layers of distortion, synthesis, and raw emotion as Wall of Sound takes over for a night where the sacred meets the subversive. Expect a collision of club energy and shoegaze haze — a sonic baptism for those who crave the heavier, more experimental side of live music.
Out of Manchester’s underground rises Mickey Nomimono, the firebrand of electronic punk whose live shows have become the stuff of whispered legend. With scathing lyricism and a delivery that blurs the line between satire and sermon, Mickey cuts through the noise of modern life — literally. Their sound is both brutal and brilliant: pulsing synths, jagged beats, and a ferocious sense of humour.
“Cutting through the mundane and tackling modern problems with tongue-in-cheek solutions,” Mickey’s music bridges the gap between the club and the pit — a sweaty, shouting communion of bass and belief. Nomimono is the new HS2. Nomimono is the ultimate livener. Nomimono lives, kitchen sink realism.
Joining the fray are OUD, a shoegaze/alternative rock band from Stourbridge whose sound layers heavy riffs with dreamy ambience. Their music is both cathartic and cinematic — guitars swell, vocals shimmer, and somewhere between grunge grit and post-rock beauty, something powerful takes shape.
OUD’s origin story is fittingly organic: guitarist and videographer Richard asked vocalist and neighbour Alishba to score a short film, and what began as a side project evolved into a full-blown band with bassist Osmann. Rooted in friendship and family ties, their music carries messages of resilience and community, drawing deeply from lived experience and emotional honesty. The stunningly restored St Swithun’s Church, offers an atmospheric counterpoint to the intensity on stage. Expect reverb that stretches to the rafters, synths swirling through the arches, and an audience suspended somewhere between spiritual awakening and sonic overload.